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Chelsom are delighted to once again be exhibiting at Boutique Design New York (BDNY) 2018 which takes place at Jacob K. Javits Center New York on 11th-12th November. Now in its ninth year, BDNY is one of the leading trade fairs and conferences for the international hospitality design sector. Having been ranked among the fastest-growing trade shows in the U.S. for the past five years, BDNY successfully inspires and connects hospitality professionals from all facets of the business.

This will be Chelsom’s 3rd consecutive year at the event where the company will be exhibiting a selection of products from their exciting new lighting collections, Edition 26. Designed by Robert and Will Chelsom, the collections harness and refine the latest trends in finishes and materials and have been created with the requirements of the international hospitality marketplace at their core. The Edition 26 collections are the company’s most distinctive to date both in terms of design and technology with nearly all pieces having an integral LED light source or available with a LED option. 

 “BDNY is the number one show in terms of interior design for the hospitality market in the USA and we are very pleased to be exhibiting again. As part of our expanding export division we have focussed our efforts on the US market over recent years and BDNY is a key date in the diaries of many leading hospitality professionals so it’s incredibly exciting to be showcasing our most different and design-led collection yet.” Commented Philip Macaulay, Sales Director. 

Chelsom has become one of the leading designers, manufacturers and suppliers of decorative contract lighting to the international hospitality sector working on a number of significant projects in the last 18months including Mandarin Oriental Hyde Park, The Ned in London, The Beekman New York, Ritz Carlton Central Park New York and Four Seasons Seattle. Supplying both standard and custom designed lighting products, Chelsom has the expertise to enhance any hotel interior, whether 2-star or 6-star, from cutting edge contemporary to period buildings, guestroom to corridor to public spaces.

We operate in a truly shrinking world. Very often a single project could be put together from three different continents; the designer may be in LA, the procurement company or main contractors may be based in London and the hotel itself may be in Dubai. When it comes to working on international projects there are many elements to consider but the shared goal should always be understood and working collectively with all parties involved helps foster a mutual sense of ownership and ultimately a cohesive global project.

From inception to delivery the only thing that separates us from any international project is water. When there is a sense of collectivism and recognition of the role we have to play as part of the wider project team, our responsibilities are clear from the outset. We understand the importance of creating lighting designs that meet the project brief, budget and time constraints and above all else we have the expertise to create lighting schemes that adhere to local regulations and can be interpreted by local contractors. In times of accelerated change, it’s good to go back to basics and recognise some fundamental considerations that make for a successful international project.

 

Local design taste differences 

There was a time when the major hotel brands wanted to roll out generic schemes worldwide. That design intent has almost completely disappeared and there is much more of a drive towards vernacular taste. International travellers want to arrive at a hotel and immediately feel immersed in the local culture. That feeling has to include the lighting and so local design taste is paramount when putting together a lighting design or product for different parts of the world. The varieties in local taste between a New York hotel, an entrance lobby in Dubai or a spa in Bali is what gives us the greatest challenges and is therefore most rewarding when we get it right.

 

International specification (not always in same country as project)

Our experience in completing projects in over 70 countries enables us to sometimes help designers in putting together specifications. We may have experience of local harsh climates, room proportions, switch locations, certain religious implications and general ideas of taste within that country. We are always willing to offer our experience and work closely with designers and specifiers to ensure a successful overseas project.

 

Electrical regulations 

Electrical regs are indeed complex across the world. Even within the EU where there is supposed to be regulatory harmony, there can be three different plug type requirements within Germany and specific bathroom regs in France. The USA has it’s own very stringent electrical product certification process (UL) as does Saudi Arabia (SASO) and Australia (RCM). Perhaps the most complex of the international electrical regulations is dimming technology because there are so many different types of dimming with all the associated componentry that goes with it, ensuring total compatibility in any country between the dimming gear, the switching and the light source requires serious expertise.

 

Freight 

Obviously ensuring light fittings which are sometimes huge, sometimes heavy and sometimes fragile reach their destination safely and quickly is part of successful exporting. International customs paperwork can vary from country to country as can import duties and taxes. You need to be well versed in sea freight and air freight procedures taking particular note of any local restrictions, national holidays and of course language difficulties.

 

Language in every stage from quote to carton labels. 

The British are generally linguistically lazy because most of the world speaks our language. However to complete overseas projects successfully it is far better to have knowledge of the local language and that language should cover all parts of the process from website to enquiry to quotation to carton labels and delivery documentation.

 

Site visits and the distances involved

To become a serious international player we have built a large and varied export team managed by our Sales Director and Export Manager. We have a network of agents and national representatives. They allow us to deal directly with the client whilst providing the comfort of having someone on the ground locally. A site visit to Adelaide requires a little more planning and cost than  going down the road to SW3.

 

Local rip offs

It can sometimes be disappointing when interior designers put so much effort in to schemes and manufacturers put so much effort in to mock up rooms only to have the product copied locally. All that depends on how much control the ultimate client has over the procurement process and the original design integrity. Different parts of the world have vastly different quality standards and so what is acceptable or not acceptable varies greatly. We have lost count of the number of times rollouts have complained to us about the product when in fact our own items have been replaced by those with inferior quality. Having said that we are fully aware of the different budget levels required in different parts of the world and are consequently highly skilled at value engineering to give the look and original design intent at a lower price bracket.

 

Radar from Chelsom is one of the signature ranges from the brand-new collection Edition 26, presenting a selection of contemporary urban fittings that would be an impressive addition to a wide variety of interior genres.

Shallow perforated metal coolie shades in English Brass are supported by detailed knurled lampholder covers, finished with contrasting Satin Black metalwork to give an industrial look. The fittings contain LED squirrel cage filament lamps for decorative impact whilst creating a warm ambient light effect.

Desk, ceiling and wall variations are available with the latter offered as an individual or duo of coolie shades. The range is priced with and comes complete with lamps as shown.